Maybe the narratives show a lack of confidence by the director or screenwriter that they’re not otherwise telling their intended story to the audience. The narrative is helped along by documentary style confessions that break the fourth wall and seem sometimes out of place, especially with one last narrative for an ending (which could have been more poignant by ending with the last scene between brother and sister). The great cast of supporting players often steal the scenes they’re in where they each get to shine with a monologue about their role in Israeli life whether, its a nurse, a police officer, a cell-mate or an estranged father or telephone operator (the most sympathetic character in the film).Įvery actor and actress in this well-cast ensemble were awarded close-ups, which allowed each actor to show a great range of facial miming as a response to the other actors in each scene or deliver their own lines with pathos and flair as the two protagonists go on a sexual walkabout after their mother passes away from cancer with the brother being mentored by his jaded married Bible studies teacher and his sister by a girlfriend peer. What seems to be a series of deliberate provocations were numerous and seemed forced and manipulative at times and at times distracted from masterful acting by the two leads Barak Friedman and Noa Friedman (no relation) who play not so innocent teenage brother and sister.
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